{"id":484,"date":"2023-11-24T10:39:31","date_gmt":"2023-11-24T15:39:31","guid":{"rendered":"https:\/\/parolefranco.ca\/?page_id=484"},"modified":"2024-02-28T18:26:58","modified_gmt":"2024-02-28T23:26:58","slug":"24-septembre-1968","status":"publish","type":"page","link":"https:\/\/parolefranco.ca\/en\/24-septembre-1968\/","title":{"rendered":"Septembre 24, 1968"},"content":{"rendered":"<div class=\"wp-block-group alignfull has-border-color is-vertical is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-96eab88b wp-block-group-is-layout-flex\" style=\"border-color:#a6f5b0;border-width:65px;border-radius:0px;margin-top:0px;margin-bottom:0px\">\n<h2 class=\"wp-block-heading has-text-align-center has-foreground-color has-text-color has-link-color wp-elements-d723ea848271ce4daff337aea04b4340\">Song\u202f: The Guardian of the French Language<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><div class=\"_3d-flip-book  fb3d-fullscreen-mode full-size\" 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&& FB3D_CLIENT_LOCALE.render && FB3D_CLIENT_LOCALE.render();<\/script><\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-cf2db169\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:60%\">\n<p class=\"wp-block-paragraph translation-block\" style=\"font-size:20px\">The late 1960s and early 1970s marked a \u201ccultural turning point\u201d for French-speaking minority communities. After the Estates General of French Canada, a period of affirmation followed, with a new generation of artists taking an identity-based look at the language and social realities of minority communities. We need only to think of plays like <em>La Sagouine<\/em> (1971), <em>Mo\u00e9 j'viens du Nord, 'stie<\/em> (1971), and <em>Je m'en vais \u00e0 R\u00e9gina<\/em> (1975), in which the protagonists unabashedly embrace the language and customs of their communities.<br><br>In many places, the youth of the baby boom generation expressed themselves in <em>bo\u00eetes \u00e0 chansons<\/em> (small entertainment venues). The growing popularity of these establishments with the public testified to the birth of a francophone music distinct from the traditional repertoire. Singer-songwriters such as Manitoba\u2019s Daniel Lavoie, Acadia\u2019s \u00c9dith Butler, and Ontario\u2019s Robert Paquette started their careers playing to audiences in such places.<br><br>In Manitoba, given the extent of the phenomenon, a question arose: why not give the community a permanent venue? The answer came in 1967, with the opening of St. Boniface\u2019s first cultural centre. With the help of the organization <em>Jeunes Franco-Manitobains<\/em>, and with financial backing from teacher and activist Antoine Gaborieau (1926-2010), the 100 NONS was created and tasked with running a cabaret. Artists began performing in the fall of 1967.<br><br>In the aftermath of the <em>Rallye du Manitoba fran\u00e7ais<\/em>, community leaders agreed to ask the federal government for more funding for culture. In a brief submitted to the Secretary of State, the Association des Canadiens fran\u00e7ais du Manitoba (ACFM) called for increased support for the performing arts (<em>La Libert\u00e9 et le patriote<\/em>, November 13, 1968). The text echoed a letter from 100 NONS to the Secretary of State G\u00e9rard Pelletier, which requested funds to modernize the theatre and its equipment.<br><br>Federal authorities were receptive. By the early 1970s, 100 NONS was receiving an annual subsidy. The success of 100 NONS testified to the growing importance of the cultural sector in affirming the identity of francophone minority communities, but also to the growing role of the government in supporting these communities.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-background-color has-primary-background-color has-text-color has-background has-link-color wp-elements-e9dd3f15a4927d40e3e08c309f5266a6 is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--60);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--50);flex-basis:40%\">\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Title of the document :<\/strong> Le 100 NONS. Organe des jeunes Franco-Manitobains, Centre culturel- Saint-Boniface, Manitoba&nbsp;<br><br><strong>Date\u202f:<\/strong> Septembre 24, 1968<br><br><strong>Source\u202f:<\/strong> Archives de la Ville de Qu\u00e9bec, Fonds Conseil de la vie fran\u00e7aise en Am\u00e9rique, cote\u202f: AVQ-P52-9B-1577-12&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>To learn more about this topic:<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Printed sources&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u00ab\u202fLa jeunesse franco-manitobaine, avenir du peuple fran\u00e7ais au Manitoba\u202f\u00bb, <em>La Libert\u00e9 et le patriote<\/em>, 26\u202foctobre 1967, p.\u202f1.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u00ab\u202fSaint-Boniface a enfin son centre culturel\u202f\u00bb, <em>La Libert\u00e9 et le patriote, <\/em>30\u202fnovembre 1967, p.\u202f1.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u00ab\u202fM\u00e9moire de l\u2019ACFM au gouvernement f\u00e9d\u00e9ral\u202f\u00bb,<em> La Libert\u00e9 et le patriote, <\/em>13\u202fnovembre 1968, p.\u202f10.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u00ab\u202fLe 100 nons, sept ans de temps\u202f\u00bb, <em>La Libert\u00e9<\/em>, 30\u202foctobre 1974, p.\u202f18.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Auger, Maurice. \u00ab\u202fR\u00e9union Annuelle du 100 NONS\u202f\u00bb, <em>La Libert\u00e9<\/em>, 2\u202fao\u00fbt 1972, p.\u202f3.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Auger, Roger. <em>Je m\u2019en vais \u00e0 R\u00e9gina<\/em>, Montr\u00e9al, Lem\u00e9ac, 1976.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Gaborieau, Antoine. <em>Une histoire \u00e0 chanter\u202f: historique du 100 NONS<\/em>, Saint-Boniface, \u00c9ditions du Bl\u00e9, 1992.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">H\u00e9bert, Raymond. <em>La R\u00e9volution tranquille au Manitoba fran\u00e7ais<\/em>, Saint-Boniface, \u00c9ditions du Bl\u00e9, 2012.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Maillet, Antonine. <em>La Sagouine. Pi\u00e8ce pour une femme seule<\/em>, Montr\u00e9al, Lem\u00e9ac, 1972.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Paiement, Andr\u00e9. <em>Mo\u00e9 j\u2019viens du Nord, \u2019stie<\/em>, Sudbury, Prise de Parole, 2003.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:0px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-f7b87a2a\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/parolefranco.ca\/en\/1867-1927\/\" style=\"border-radius:10px;background-color:#a57d54\">1867-1927<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/parolefranco.ca\/en\/1928-1967\/\" style=\"border-radius:10px;background-color:#a57d54\">1928-1967<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/parolefranco.ca\/en\/1968-1982\/\" style=\"border-radius:10px;background-color:#a57d54\">1968-1982<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/parolefranco.ca\/en\/1983-2022\/\" style=\"border-radius:10px;background-color:#a57d54\">1983-2022<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"<p>La chanson, gardienne de la langue La fin des ann\u00e9es\u202f1960 et le d\u00e9but des ann\u00e9es\u202f1970 marquent un \u00ab\u202ftournant culturel\u202f\u00bb pour les francophonies canadiennes. Apr\u00e8s les \u00c9tats g\u00e9n\u00e9raux du Canada fran\u00e7ais s\u2019ensuit une p\u00e9riode d\u2019affirmation o\u00f9 une nouvelle g\u00e9n\u00e9ration d\u2019artistes pose un regard identitaire sur la langue et les r\u00e9alit\u00e9s sociales en milieu minoritaire. On n\u2019a [&hellip;]<\/p>\n","protected":false},"author":60472210,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-484","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pfdu74-7O","_links":{"self":[{"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/pages\/484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/users\/60472210"}],"replies":[{"embeddable":true,"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/comments?post=484"}],"version-history":[{"count":19,"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/pages\/484\/revisions"}],"predecessor-version":[{"id":2180,"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/pages\/484\/revisions\/2180"}],"wp:attachment":[{"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/media?parent=484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}