{"id":508,"date":"2023-11-24T11:27:11","date_gmt":"2023-11-24T16:27:11","guid":{"rendered":"https:\/\/parolefranco.ca\/?page_id=508"},"modified":"2024-02-28T18:34:46","modified_gmt":"2024-02-28T23:34:46","slug":"1975-2","status":"publish","type":"page","link":"https:\/\/parolefranco.ca\/en\/1975-2\/","title":{"rendered":"1975"},"content":{"rendered":"<div class=\"wp-block-group alignfull has-border-color is-vertical is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-96eab88b wp-block-group-is-layout-flex\" style=\"border-color:#a6f5b0;border-width:65px;border-radius:0px;margin-top:0px;margin-bottom:0px\">\n<h2 class=\"wp-block-heading has-text-align-center has-foreground-color has-text-color has-link-color wp-elements-f5dafefb2223c9dab448b0cf6f5f45ed\">French-Language Theatre in Vanier and On Tour<\/h2>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-cf2db169\"><\/div>\n\n\n\n<p 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&& FB3D_CLIENT_LOCALE.render && FB3D_CLIENT_LOCALE.render();<\/script><\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-cf2db169\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:65%\">\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">The <em>Th\u00e9\u00e2tre d\u2019la Corv\u00e9e<\/em> was founded in 1975 in Vanier, at that time still a separate municipality located near Ottawa. In the mid-1970s, the National Capital Region was served primarily by two French-language theatre companies: <em>L\u2019Atelier and the Compagnie Gilles-Provost<\/em>, established in 1965 and 1973 respectively. These two companies mostly performed repertory plays. The National Arts Centre, which opened its doors to coincide with the 100th anniversary of Canadian Confederation, similarly welcomed productions from elsewhere, paying little attention to local artists.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph translation-block\" style=\"font-size:20px\">The <em>Th\u00e9\u00e2tre d\u2019la Corv\u00e9e<\/em> did quite the opposite. From the outset, it established itself as a Franco-Ontarian theatre company motivated by a social and political vocation. The troupe\u2019s members were interested in collective creation and cultural outreach to young adults and workers.<br><br>In December 1975, its first production, <em>L\u2019hiver<\/em> show (The Winter Show), was presented at the E.B. Eddy factory in Hull in support of striking employees. The troupe next performed <em>L\u2019annonce faite \u00e0 Vanier<\/em> (The Announcement Made in Vanier), a series of tableaux about daily life in Vanier performed on city buses.<br><br>Rather than expecting members of the public to come and meet them, the players of <em>Th\u00e9\u00e2tre d\u2019la Corv\u00e9e<\/em> wanted to get in front of them. This concern explains the importance the troupe placed on touring during its early years: it enabled the company to make theatre accessible and better convey its message throughout French Ontario.<br><br>In 1979, the <em>Th\u00e9\u00e2tre d\u2019la Corv\u00e9e<\/em> created its first major show, <em>La parole et la loi<\/em> (The Word and the Law). Directed by Brigitte Haentjens, the play focused on the educational battles of Franco-Ontarians, including Regulation 17, which had triggered a national crisis. The subject was approached with humour and irony, using a narrator, masks, and song. In a scene entitled <em>L\u2019enterrement<\/em> (The Burial), the actors shed their minority complex by throwing into a box objects representing Franco-Ontarian identity.<br><br>In 1988, the <em>Th\u00e9\u00e2tre d\u2019la Corv\u00e9e<\/em> became the <em>Th\u00e9\u00e2tre du Trillium<\/em>, and established itself as part of the postmodern movement.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-background-color has-primary-background-color has-text-color has-background has-link-color wp-elements-3683a404a9ea87ee6f75ede6a687bdbd is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:var(--wp--preset--spacing--60);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--50);flex-basis:35%\">\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Title of the document<\/strong>\u202f<strong>:<\/strong> C\u2019est quoi le Th\u00e9\u00e2tre d\u2019la Corv\u00e9e?&nbsp;<br><br><strong>Date\u202f:<\/strong> unknown<br><br><strong>Reference:<\/strong>\u202f<strong>:<\/strong> Universit\u00e9 d\u2019Ottawa, Centre de recherche sur les francophonies canadiennes (CRCCF), Fonds Association canadienne-fran\u00e7aise de l\u2019Ontario (ACFO), C2\/442\/7.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>To learn more about this topic:<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Online<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/laboclfc.ca\/theatre-franco-canadien\/\" target=\"_blank\" rel=\"noreferrer noopener\">S. a. \u00ab\u202fLe th\u00e9\u00e2tre franco-canadien\u202f\u00bb, Laboratoire CLFC. Une r\u00e9flexion sur les litt\u00e9ratures francophones du Canada.<\/a><\/span><br><br><span style=\"text-decoration: underline;\"><a href=\"https:\/\/cdn.knightlab.com\/libs\/timeline3\/latest\/embed\/index.html?source=1bXILOXbRcebQn_ko706jqT2qAi5Jbmer8LCg_haleLY&amp;font=Default&amp;lang=fr&amp;initial_zoom=2&amp;height=650\" target=\"_blank\" rel=\"noreferrer noopener\">S. a. \u00ab\u202fChronologie des institutions litt\u00e9raires et th\u00e9\u00e2trales en Ontario fran\u00e7ais (1965-2015)\u202f\u00bb, Laboratoire CLFC. Une r\u00e9flexion sur les litt\u00e9ratures francophones du Canada.<\/a><\/span><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Printed sources<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Beddows, Jo\u00ebl. \u00ab\u202fTracer ses fronti\u00e8res\u202f: vers un th\u00e9\u00e2tre franco-ontarien de cr\u00e9ation \u00e0 Ottawa\u202f\u00bb, dans H\u00e9l\u00e8ne Beauchamp et Jo\u00ebl Beddows (dir.), <em>Les th\u00e9\u00e2tres professionnels du Canada fran\u00e7ais\u202f: entre m\u00e9moire et rupture<\/em>, Ottawa, Le Nordir, coll.\u202f\u00ab\u202fRoger-Bernard\u202f\u00bb, 2001, p.\u202f49-69.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Hotte, Lucie, Jo\u00ebl Beddows, et Isabelle Kirouac-Massicotte. \u00ab\u202fOttawa, capitale culturelle franco-ontarienne?\u202f\u00bb, dans Anne Gilbert <em>et al. <\/em>(dir.), <em>Ottawa, lieu de vie fran\u00e7ais<\/em>, Ottawa, Presses de l\u2019Universit\u00e9 d\u2019Ottawa, coll. \u00ab\u202fAm\u00e9rique fran\u00e7aise\u202f\u00bb, 2017, p.\u202f239-280.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Moss, Jane. \u00ab\u202fLe th\u00e9\u00e2tre francophone en Ontario\u202f\u00bb, dans Lucie Hotte et Johanne Melan\u00e7on (dir.), <em>Introduction \u00e0 la litt\u00e9rature franco-ontarienne<\/em>, Sudbury, Prise de parole, coll. \u00ab\u202fAgora\u202f\u00bb, 2010, p. 71-111.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Th\u00e9\u00e2tre de la Corv\u00e9e et Th\u00e9\u00e2tre de la Vieille\u202f17. <em>La parole et la loi<\/em>, suivi de <em>Les murs de nos villages<\/em>, Sudbury, Prise de parole, 2007.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:0px;width:0px\" aria-hidden=\"true\" class=\"wp-block-spacer wp-container-content-f7b87a2a\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/parolefranco.ca\/en\/1867-1927\/\" style=\"border-radius:10px;background-color:#a57d54\">1867-1927<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/parolefranco.ca\/en\/1928-1967\/\" style=\"border-radius:10px;background-color:#a57d54\">1928-1967<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/parolefranco.ca\/en\/1968-1982\/\" style=\"border-radius:10px;background-color:#a57d54\">1968-1982<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"https:\/\/parolefranco.ca\/en\/1983-2022\/\" style=\"border-radius:10px;background-color:#a57d54\">1983-2022<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Un th\u00e9\u00e2tre francophone \u00e0 Vanier et en tourn\u00e9e Le Th\u00e9\u00e2tre d\u2019la Corv\u00e9e est fond\u00e9 en 1975 \u00e0 Vanier, qui \u00e9tait alors une municipalit\u00e9 distincte d\u2019Ottawa. \u00c0 l\u2019\u00e9poque, la r\u00e9gion de la capitale nationale \u00e9tait principalement desservie par deux compagnies de th\u00e9\u00e2tre francophones\u202f: L\u2019Atelier et la Compagnie Gilles-Provost, cr\u00e9\u00e9es respectivement en 1965 et en 1973, qui [&hellip;]<\/p>\n","protected":false},"author":60472210,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"footnotes":""},"class_list":["post-508","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Pfdu74-8c","_links":{"self":[{"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/pages\/508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/users\/60472210"}],"replies":[{"embeddable":true,"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/comments?post=508"}],"version-history":[{"count":17,"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/pages\/508\/revisions"}],"predecessor-version":[{"id":2194,"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/pages\/508\/revisions\/2194"}],"wp:attachment":[{"href":"https:\/\/parolefranco.ca\/en\/wp-json\/wp\/v2\/media?parent=508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}